“Terrestrial Not by Nature and Essence”: The Acclimatization Chamber as Surface Technology in South Africa, ca. 1958
Weltgeist/Wildegeist: The Savage inside “World History”
A Black Carpet of Bitumen
A Discussion on the Global and the Universal
A Partly Vacated Historicism: Artifacts, Architecture, and Time in Nineteenth-Century Papal Rome
Alberti, Ornament, Nature, and Law: A Reading of De re aedificatoria
Architecture Photographs
Architectures of Captivity
Articulated Flatness: Document Culture and Modernism in the Mundaneum and Beyond
Building on Credit: Architecture and the Mississippi Bubble (1716–1720)
Catacoustic Enchantment: The Romantic Conception of Reverberation
Desktop Arenas: Magazine Pieces and the Professions of the Neo-Avant-Garde
Doubling Time
Economies of the Interior: Thomas Hope and Interior Decoration
Editor’s Introduction
Editor’s Introduction: The Costs of Architecture
Envisioning Assembly: Archigram and the Light/Sound Workshop
Envisioning Reform: The International Hotel in Postrevolutionary China, 1974-1990
Fifty Cents a Foot, 14,500 Buckets: Concrete Numbers and the Illusory Shells of Mexican Economy
German Pavilion/German Exhibits: An Almost Forgotten Episode in the History of Modern Architecture
How Slaves Indigenized Themselves: The Architectural Cost Logs of French Colonial Mauritius
I.M. Pei’s JFK Library, in Poetry, Prose, and Meeting Minutes
Infrastructures of “Legitimate Violence”: The Prussian Settlement Commission, Internal Colonization, and the Migrant Remainder
Interrelations: The CIAM Grid in 1949
Leaving Las Vegas, Again
Liquid Crowds: Regulatory Discourse and the Architecture of People Flows in the Nineteenth Century
Liquid History: Millbank, London and the Thames Flood of 1928
Making the “World Spectacle Trial”: Design as Forensic Practice at the Nuremberg Trials
Metropolitan Architecture: Karl Schreffler and Alfred Messel’s Search for a New Urbanity
Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford
Multimedia Environments and Security Operations: Expo ‘70 as a Laboratory of Governance
Notes for Lessons in Physics and Chemistry as Applied to the Arts
Notes on Utopia, the City, and Architecture
On “About Grey Room”
On Wires; or, Metals and Modernity Reconsidered
Pearce v. OMA: Architectural Authorship on the Courtroom Table
Pollux’s Spears
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia
Prejudice and Pragmatism: The Commercial Architect in the Development of Postwar London
Representing the American Welfare State
Risk Design
Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow
Spacing and Sounding Out
Stacks, Shelves, and the Law: Restructuring the Library of Congress
Standardization Reconsidered: Normierung in and after Ernst Neufert’s Bauentwurfslehre (1936)
Strategies of Containment: Iron, Fire, and Labor Management
The Architectural Postcard: Photography, Cinema, and Modernist Mass Media
The Beauty of the Metropolis
The Cement Trust in Switzerland
The Dialectic of the University: His Master’s Voice
The Flying Proletarian: Soviet Citizens at the Thresholds of Utopia
The Giant’s Door of St. Stephen’s
The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society
The Other End of the Trajectory: Danger Zones
The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków
The Value of Enclosure and the Business of Banking
The West Berlin Staatsbibliothek and the Sound Politics of Libraries
The World Solar Energy Project, ca. 1954
