“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography
‘Out to See Video’: EZTV’s Queer Microcinema in West Hollywood
(Audio-Visuals)
A Self-Portrait of Christ or the White Noise of Photography? Paul Vignon and the Earliest Photograph of the Shroud of Turin
Abstract Habitats: Installations of Coexistence and Coevolution
Allan Sekula’s Ship of Fools/ The Dockers’ Museum
Allan Sekula, or What Is Photography?
An Eternal Esthetics of Laborious Gestures
Arresting Figures
Atmospheric Regulation in the Panorama
Beyond the Line, or a Political Geometry of Contemporary Art
Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)
Click, Pulse: Frederico Morais and the Comparative Slide Lecture
Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War
Contingent Cubism
Counter-forensics and Photography
Curve, Line, Circle, Slash, Cross: A Diagram of Liquid Intelligence
Dance of Values: Reading Eisenstein’s Capital
Death from Above in Minard’s Napoleon Map
Doubling Time
Editors’ Introduction: Allan Sekula and the Traffic in Photographs
Envisioning Assembly: Archigram and the Light/Sound Workshop
Evaporating Dürer
Extralegal Portraiture: Surveillance, between Privacy and Expression
Fieldnotes from Solaris: Ship’s Logs, Shipwrecks, and Salt Water as Medium
Found Paintings, Disassembled Movies, World Images
From Collective Creation to Creating Collectives: Arte programmata and the Open Work, 1962
Gestural Study
Guy Debord and the Cultural Revolution
Guy Debord’s Time–Image: In girum imus nocte et consumimur igni (1978)
Guy Debord, Filmmaker
How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past
Hurlements en faveur de vous
If a Painting Is Like a Window, Is It a Means of Ventilation?
In Light of the Arc
Inside: Out
Introduction to Wölfflin’s “On Right and Left in Images”
Landscapes of Ice, Wind, and Snow: Alexander Kluge’s Aesthetic of Coldness
Letter to an Encyclopedic Museum Curator
Liquidity, Technicity, and the Predictive Turn in Chinese Ceramics
Michael Rakowitz’s The Invisible Enemy Should Not Exist
Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’
Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford
Observations on Painting
On “About Grey Room”
On Cristoforo Sorte’s Osservationi nella pittura: Water, Fire, and Landscape in Early Modern Venice
On Right and Left in Images
Photography and the Limits of National Identity
Post-Election Artists Dossier
Rethinking Sekula from the Global South: Humanist Photography Revisited
Seurat’s Media, or a Matrix of Materialities
Strangeloves: From/De la région centrale, Air Defense Radar Station Moisie, and Media Cultures of the Cold War
Straw in the Ice: Stories
The Cunning of Sir Sloshua: Reynolds, the Sea, and Risk
The Flying Proletarian: Soviet Citizens at the Thresholds of Utopia
The Inductive Turn in Conceptual Art: Pragmatics in the 0–9 Circle
Vegetal Gestures: Cinema and the Knowledge of Life in Weimar Germany
When We Were on the Shenandoah
With and Against Cinema
