Grey Room

Articles filed under
Art

80

Image/Vessel/Waste

Shira Brisman

Abstract
85

“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography

Kelly Presutti

Abstract
77

“The Medium Is Leaking”: Notes on the Work of Pierre Huyghe and the “Ecologization” of Contemporary Art

André Rottmann

Abstract
56

‘Out to See Video’: EZTV’s Queer Microcinema in West Hollywood

Julia Bryan-Wilson

Abstract
73

(Audio-Visuals)

Frederico Morais

Abstract
80

A Feedback Situation: Dennis Oppenheim’s Cybernetics of the Family

Anna Lovatt

Abstract
63

A Logistical Inversion: From Konrad Lueg to Konrad Fischer

Michael Sanchez

Abstract
77

A Proposal: Must We Ecologize?

Eric C.H. de Bruyn

Full Article
59

A Self-Portrait of Christ or the White Noise of Photography? Paul Vignon and the Earliest Photograph of the Shroud of Turin

Peter Geimer

Abstract
59

Abstract Habitats: Installations of Coexistence and Coevolution

Sven Lütticken

Full Article
55

Allan Sekula’s Ship of Fools/
The Dockers’ Museum

Hilde Van Gelder

Abstract
55

Allan Sekula,
 or What Is Photography?

Benjamin H.D. Buchloh

Abstract
67

An Artificial Mind in Mexico City (Autumn 1559)

Byron Ellsworth Hamann

Full Article
55

An Eternal Esthetics of Laborious Gestures

Allan Sekula

Abstract
55

Arresting Figures

Benjamin J. Young

Abstract
83

Atmospheric Regulation in the Panorama

Nicholas Robbins

Abstract
57

Beyond the Line, or a Political Geometry of Contemporary Art

Eric C.H. de Bruyn

Abstract
62

Carl Einstein’s History without Names: From Geology to the Masses

Maria Stavrinaki

Abstract
52

Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)

Soyoung Yoon

Abstract
73

Click, Pulse: Frederico Morais and the Comparative Slide Lecture

Sonia de Laforcade

Abstract
74

Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War

Eric C.H. de Bruyn

Full Article
58

Contingent Cubism

Jeffrey Weiss

Full Article
55

Counter-forensics and Photography

Thomas Keenan

Abstract
69

Curve, Line, Circle, Slash, Cross: A Diagram of Liquid Intelligence

Matthew C. Hunter

Full Article
72

Dance of Values: Reading Eisenstein’s Capital

Elena Vogman

Abstract
83

Death from Above in Minard’s Napoleon Map

Richard Taws

Abstract
78

Desktop Arenas: Magazine Pieces and the Professions of the Neo-Avant-Garde

Colby Chamberlain

Abstract
51

Doubling Time

Luis M. Castañeda

Full Article
78

Economies of the Interior: Thomas Hope and Interior Decoration

Tim Ainsworth Anstey

Abstract
55

Editors’ Introduction: Allan Sekula and the Traffic in Photographs

Marie Muracciole, Benjamin J. Young

Full Article
73

Envisioning Assembly: Archigram and the Light/Sound Workshop

Craig Buckley

Abstract
85

Evaporating Dürer

Christopher P. Heuer

Abstract
87

Extralegal Portraiture: Surveillance, between Privacy and Expression

Monica Steinberg

Abstract
77

Fiber Optics

Brandon Truett, Zoe Hughes, Andrew Bearnot, Bill Brown, Jacob Harris, A.P. Pettinelli, Matthew Beeber, Harrington Weihl

Abstract
85

Fieldnotes from Solaris: Ship’s Logs, Shipwrecks, and Salt Water as Medium

Byron Ellsworth Hamann

Full Article
79

Film Courses in Art Schools

Harun Farocki

Abstract
55

Found Paintings, Disassembled Movies, World Images

Allan Sekula, Carles Guerra

Abstract
73

From Collective Creation to Creating Collectives: Arte programmata and the Open Work, 1962

Lindsay Caplan

Abstract
74

Gestural Study

Sven Lütticken

Abstract
52

Guy Debord and the Cultural Revolution

Sven Lütticken

Full Article
52

Guy Debord’s Time–Image: In girum imus nocte et consumimur igni (1978)

Benjamin Noys

Abstract
52

Guy Debord, Filmmaker

Jason E. Smith

Full Article
70

How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past

Janet Kraynak

Abstract
52

Hurlements en faveur de vous

Kaira M. Cabañas

Abstract
83

If a Painting Is Like a Window, Is It a Means of Ventilation?

Amy Knight Powell

Abstract
58

In Light of the Arc

Zachary Formwalt

Abstract
59

Inside: Out

Alma Steingart

Abstract
73

Introduction to Wölfflin’s “On Right and Left in Images”

Zeynep Çelik Alexander

Abstract
53

Landscapes of Ice, Wind, and Snow: Alexander Kluge’s Aesthetic of Coldness

Nora M. Alter, Lutz Koepnik, Richard Langston

Abstract
87

Letter to an Encyclopedic Museum Curator

Michael Rakowitz

Full Article
69

Liquidity, Technicity, and the Predictive Turn in Chinese Ceramics

Jeffrey Moser

Abstract
87

Michael Rakowitz’s The Invisible Enemy Should Not Exist

Tom Snow

Full Article
52

Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’

Jason E. Smith

Abstract
53

Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford

Sandra Zalman

Abstract
80

Mood as the Content of Modern Art

Alois Riegl

Full Article
80

Mood for Modernists: An Introduction to Three Riegl Translations

Lucia Allais, Andrei Pop

Full Article
79

Necessary Variation and Variety

Harun Farocki

Abstract
85

Observations on Painting

Cristoforo Sorte

Abstract
51

On “About Grey Room”

The Editors

Full Article
85

On Cristoforo Sorte’s Osservationi nella pittura: Water, Fire, and Landscape in Early Modern Venice

James Pilgrim

Abstract
77

On Pierre Huyghe’s UUmweltanschauung: Art, Ecosystems Aesthetics, and General Ecology

Luke Skrebowski

Full Article
73

On Right and Left in Images

Heinrich Wölfflin

Abstract
55

Photography and the Limits of National Identity

Allan Sekula

Full Article
64

Politics for the White Cube: The Italian Way

Patricia Falguières

Full Article
65

Post-Election Artists Dossier

The Editors, Thirty-three international artists

Full Article
55

Rethinking Sekula from the Global South: Humanist Photography Revisited

Tamar Garb

Abstract
64

Roman Death Masks and the Metaphorics of the Negative

Patrick R. Crowley

Abstract
58

Seurat’s Media, or a Matrix of Materialities

Carol Armstrong

Abstract
77

Something One Recognizes Yet Can’t See: Andy Warhol in and as Media

Branden W. Joseph

Abstract
58

Strangeloves: From/De la région centrale, Air Defense Radar Station Moisie, and Media Cultures of the Cold War

Kenneth White

Abstract
53

Straw in the Ice: Stories

Alexander Kluge

Abstract
88

Taylorism Transfigured: Industrial Rhythm and the British Factory

Whitney Laemmli

Abstract
76

Ten Short Notes on Color, Anthropology, and Makeup

Michael Rossi

Full Article
69

The Cunning of Sir Sloshua: Reynolds, the Sea, and Risk

Matthew C. Hunter

Abstract
59

The Flying Proletarian: Soviet Citizens at the Thresholds of Utopia

Tijana Vujosevic

Abstract
68

The Inductive Turn in Conceptual Art: Pragmatics in the 0–9 Circle

Jacob Stewart-Halevy

Abstract
79

The Labor of Authorship: Harun Farocki’s Early Writing

Volker Pantenburg

Full Article
62

The Phantasmagoric Dispositif: An Assembly of Bodies and Images in Real Time and Space

Noam M. Elcott

Full Article
80

The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków

Alois Riegl

Abstract
67

The Subject of Black: Abstraction and the Politics of Race in the Expanded Cinema Environment

Nadja Millner-Larsen

Abstract
81

Toward a Reappraisal of Comparative Studies: The Case of South American Modernism

María Amalia García

Abstract
78

Trompe L’oeil and Financial Risk in the Age of Paper

Maggie Cao

Abstract
62

Unfolded, Not Opened: On Bernhard Siegert’s Cultural Techniques

Reinhold Martin

Abstract
79

Vacuum Cleaner or Submachine Gun: A Traveling Cinema for Engineers

Harun Farocki

Full Article
72

Vegetal Gestures: Cinema and the Knowledge of Life in Weimar Germany

Matthew Vollgraff

Abstract
79

Virtual Space, Bodily Matter: Bruce Nauman’s Holograms

Taylor Walsh

Abstract
52

When We Were on the Shenandoah

Jacques Rancière

Full Article
52

With and Against Cinema

Editors of Internationnale situationiste 1

Abstract
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