Grey Room

Articles filed under
Politics

85

“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography

Kelly Presutti

Abstract
77

“The Medium Is Leaking”: Notes on the Work of Pierre Huyghe and the “Ecologization” of Contemporary Art

André Rottmann

Abstract
56

‘Out to See Video’: EZTV’s Queer Microcinema in West Hollywood

Julia Bryan-Wilson

Abstract
61

A Discussion on the Global and the Universal

The Editors, Daniel Bertrand Monk, Andrew Herscher, Miriam Ticktin, Anooradha Iyer Siddiqi, Lucia Allais, M. Ijlal Muzaffar, Mark Jarzombek, Swati Chattopadhyay

Full Article
77

A Proposal: Must We Ecologize?

Eric C.H. de Bruyn

Full Article
92

A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15

Raqs Media Collective

Full Article
55

Allan Sekula’s Ship of Fools/
The Dockers’ Museum

Hilde Van Gelder

Abstract
67

An Artificial Mind in Mexico City (Autumn 1559)

Byron Ellsworth Hamann

Full Article
55

An Eternal Esthetics of Laborious Gestures

Allan Sekula

Abstract
94

An Introduction to Cultural Heritage Law

Patty Gerstenblith

Abstract
55

Arresting Figures

Benjamin J. Young

Abstract
97

Artificial Worlds and Perceptronic Objects: The CIA’s Mid-century Automatic Target Recognition

Julia Irwin

Abstract
57

Beyond the Line, or a Political Geometry of Contemporary Art

Eric C.H. de Bruyn

Abstract
57

Beyond the Sea-Land Divide: A World Map

Rafi Segal, Yonatan Cohen

Abstract
62

Carl Einstein’s History without Names: From Geology to the Masses

Maria Stavrinaki

Abstract
52

Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)

Soyoung Yoon

Abstract
68

Cleverness and Drive, or the Cybernetic Fantasy of Value: R.S. Hunt’s “Two Kinds of Work”

Seb Franklin

Abstract
96

Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography

Rachel Lee Hutcheson

Full Article
74

Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War

Eric C.H. de Bruyn

Full Article
55

Counter-forensics and Photography

Thomas Keenan

Abstract
72

Dance of Values: Reading Eisenstein’s Capital

Elena Vogman

Abstract
83

Death from Above in Minard’s Napoleon Map

Richard Taws

Abstract
91

Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)

Maria José de Abreu

Abstract
51

Doubling Time

Luis M. Castañeda

Full Article
78

Economies of the Interior: Thomas Hope and Interior Decoration

Tim Ainsworth Anstey

Abstract
94

Editors’ Introduction: Art beyond Copyright

Noam M. Elcott, Amy Adler

Full Article
58

Envisioning Reform: The International Hotel in Postrevolutionary China, 1974-1990

Cole Roskam

Abstract
79

Everyday Myth

Harun Farocki

Full Article
87

Extralegal Portraiture: Surveillance, between Privacy and Expression

Monica Steinberg

Abstract
97

Figures of Closure: Circles and Cycles in the History of Ecological Knowledge

Florian Sprenger

Abstract
55

Found Paintings, Disassembled Movies, World Images

Allan Sekula, Carles Guerra

Abstract
86

From Paperwork to “Mechanized Administration”: Designing the Bureaucracy of Self-Management in Postwar Yugoslavia

Rujana Rebernjak

Abstract
97

Geo-psychiatry: Media and the Ecologies of Madness

Elena Vogman

Full Article
52

Guy Debord and the Cultural Revolution

Sven Lütticken

Full Article
52

Guy Debord’s Time–Image: In girum imus nocte et consumimur igni (1978)

Benjamin Noys

Abstract
52

Guy Debord, Filmmaker

Jason E. Smith

Full Article
70

How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past

Janet Kraynak

Abstract
52

Hurlements en faveur de vous

Kaira M. Cabañas

Abstract
58

In Light of the Arc

Zachary Formwalt

Abstract
96

In-formation: Weaving as Code in Beryl Korot’s Text and Commentary (1976–77)

Cadence Kinsey

Abstract
76

Infrastructures of “Legitimate Violence”: The Prussian Settlement Commission, Internal Colonization, and the Migrant Remainder

Hollyamber Kennedy

Abstract
74

Introduction to François Ewald’s “The Values of Insurance”

Michael C. Behrent

Abstract
92

Learning with Documenta 15: Principles, Practices, Problems

Monica Juneja, Jo Ziebritzki

Full Article
87

Letter to an Encyclopedic Museum Curator

Michael Rakowitz

Full Article
91

Liquid History: Millbank, London and the Thames Flood of 1928

Tobah Auckland-Peck

Abstract
90

Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence

Foad Torshizi

Abstract
82

Making the “World Spectacle Trial”: Design as Forensic Practice at the Nuremberg Trials

Alejandra Azuero-Quijano

Abstract
96

Manual Operations: Joan Lyons’s Haloid Xerox Works and Feminized Labor

Michelle Donnelly

Abstract
87

Michael Rakowitz’s The Invisible Enemy Should Not Exist

Tom Snow

Full Article
52

Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’

Jason E. Smith

Abstract
92

Missed Encounters: Introduction to Documenta 15 Dossier

Eric C.H. de Bruyn

Full Article
53

Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford

Sandra Zalman

Abstract
77

More Liquid than Liquid: Solid-Phase Bitumen and Its Forms

Hannah Tollefson, Darin Barney

Abstract
54

Multimedia Environments and Security Operations: Expo ‘70 as a Laboratory of Governance

Yuriko Furuhata

Abstract
95

Nation Building in the Philippines and the Racial Ordering of International Architecture

Diana Martinez

Full Article
84

News from Nowhere: Participatory Design in the Scandinavian Workplace

Samuel Stewart-Halevy

Abstract
68

Notes on Utopia, the City, and Architecture

Antoine Picon

Abstract
92

Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition

Marina Vishmidt

Full Article
51

On “About Grey Room”

The Editors

Full Article
92

On Documenta 15

T.J. Demos

Full Article
77

On Pierre Huyghe’s UUmweltanschauung: Art, Ecosystems Aesthetics, and General Ecology

Luke Skrebowski

Full Article
95

Order for Profit: On the Architecture of a Nineteenth-Century French Agency

Cristóbal Amunátegui

Abstract
96

Out of Reach: Photographs of Child Nudists

Tania Cleaves (née Woloshyn)

Abstract
53

Outdating: The Time of “Culture” in Colonial Egypt

On Barak

Full Article
55

Photography and the Limits of National Identity

Allan Sekula

Full Article
91

Plan and Council: Genealogies of Calculation, Organization, and Transvaluation

Sven Lütticken, Sven Lütticken

Abstract
91

Political Constructivism

Alice Creischer, Andreas Siekmann, Karl Hoffmann

Abstract
65

Post-Election Artists Dossier

The Editors, Thirty-three international artists

Full Article
90

Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia

Andjelka Badnjar Gojnić

Abstract
92

Reflections on Lumbung, Storytelling, and Collective Learning

Gatari Surya Kusuma

Full Article
78

Representing the American Welfare State

Daniel M. Abramson

Full Article
55

Rethinking Sekula from the Global South: Humanist Photography Revisited

Tamar Garb

Abstract
94

Roundtable on Warhol v. Goldsmith

Full Article
93

Rumor and Media: On Circulations and Credence (via Kant and Marx)

Stefan Andriopoulos

Full Article
87

Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow

Maura Lucking

Abstract
68

Shadows of Expectation: Robert Hooke’s Picture Box and the Visual Economy of Projection

Pasi Väliaho

Abstract
79

Snowdrops Bloom in September

Harun Farocki

Abstract
89

Socialist Multimedia Warfare: Cine-Exhibition of Class Struggle in 1960s China

Belinda Qian He

Abstract
89

Sol Worth, Film Theory, and the Politics of the Bio-Documentary

Henning Engelke

Abstract
58

Strangeloves: From/De la région centrale, Air Defense Radar Station Moisie, and Media Cultures of the Cold War

Kenneth White

Abstract
76

Ten Short Notes on Color, Anthropology, and Makeup

Michael Rossi

Full Article
57

The Chorein of the Pirate: On the Origin of the Dutch Seascape

Bernhard Siegert

Full Article
94

The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith

Jennifer E. Rothman

Abstract
76

The Constitution of Rural Labor

Max Weber

Abstract
60

The Dialectic of the University: His Master’s Voice

Reinhold Martin

Full Article
59

The Flying Proletarian: Soviet Citizens at the Thresholds of Utopia

Tijana Vujosevic

Abstract
92

The German Campaign against Cultural Freedom: Documenta 15 in Context

A. Dirk Moses

Full Article
81

The Hot Noise of Open-Air Cinema

Jie Li

Full Article
86

The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society

Steven Niedbala

Abstract
79

The Labor of Authorship: Harun Farocki’s Early Writing

Volker Pantenburg

Full Article
94

The Manufacturer’s Signature: Trademarks and Other Signs of Authenticity on Manet’s Bar at the Folies-Bergère

Noam M. Elcott

Abstract
75

The Media Arcane

Timon Beyes, Claus Pias

Abstract
54

The Other End of the Trajectory: Danger Zones

John Harwood

Abstract
94

The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art

Anne Hilker

Abstract
88

The Secret History of Science and Modernity: The History of Science and the History of Religion

Lorraine Daston

Full Article
68

The Smartness Mandate: Notes toward a Critique

Orit Halpern, Robert Mitchell, Bernard Dionysius Geoghegan

Full Article
67

The Subject of Black: Abstraction and the Politics of Race in the Expanded Cinema Environment

Nadja Millner-Larsen

Abstract
74

The Values of Insurance

François Ewald

Abstract
87

The West Berlin Staatsbibliothek and the Sound Politics of Libraries

Hannah Wiemer

Abstract
84

The Word Processing of Watergate and the Metaphysics of Information

Chelsea Spencer

Abstract
94

The Work of Copyright Law in the Age of Generative AI

Kate Crawford, Jason Schultz

Abstract
51

The World Solar Energy Project, ca. 1954

Daniel A. Barber

Abstract
51

Theses on the New Öffentlichkeit

Rosalind C. Morris

Abstract
97

Uneven Environmentality: The Discordance of Cybernetic Control at the Centro de Arte y Comunicación, 1971–1973

Christopher Williams-Wynn

Abstract
79

Vacuum Cleaner or Submachine Gun: A Traveling Cinema for Engineers

Harun Farocki

Full Article
62

Walter Benjamin’s Media Theory: The Medium and the Apparat

Antonio Somaini

Abstract
92

When Louis Pasteur Taught at the Beaux-Arts

Lucia Allais

Abstract
52

When We Were on the Shenandoah

Jacques Rancière

Full Article
52

With and Against Cinema

Editors of Internationnale situationiste 1

Abstract
Close